See also:
Best Producer
David C. Luck for Brunch Before Baptism (USA)
George Blagden for L A R A (UK)
Jon Judelson for Kick (USA)
Katy Jordan for The Weekend (UK)
Lahela Inn for Make Believe (USA)
Michael Schilf, Chase Kuker, Ryan D. Wood for The Fixer (USA)
Qihu Qiu, Sheng Qiu, and Huixing Li for He/She (China)
Rewers Film Crew for Don’t Come Too Early (Poland)
Best Production Design
Alex Miskei for Kick (USA)
Domenic Porcari for The Control Room (USA)
Hallowed Be Thy Name (UK)
Junli Zhang for He/She (China)
Justin Aragon for My Train Leaves Tomorrow at 7 O’Clock (USA)
Lili Giacombino for Waiting For Nicko (UK)
Lost Girl (USA)
Natural Habitat (USA)
Best Original Screenplay
Collin Chute for Late Night Swim (USA)
Daniel Henry Kaes for Empty Shelf (UK)
David C. Luck for Brunch Before Baptism (USA)
George A. Velez for Children of the Night (USA)
George Blagden for L A R A (UK)
Jacob Wahlqvist for The Last Thing That Dies (Sweden)
Katy Jordan for The Weekend (UK)
Kenneth Eberle, Eric Itzi, and Todd Rawiszer for Natural Habitat (USA)
Best Adapted Screenplay
TBA
Best Cinematography
Bianca Fórmanowska, Przemek Jurkiewicz, and Paweł Fabianek for Don’t Come Too Early (Poland)
Chunyu Duan for He/She (China)
Hector Tapia Aguilar for Loss (Mexico)
Hector Tapia Aguilar for The Light Hunter (Mexico)
Isaac Ruth for The Feeding (USA)
Konstantin Frolov for My Train Leaves Tomorrow at 7 O’Clock (USA)
Matthew Lee for Empty Shelf (UK)
Will Park for The Body of Levi (USA)
Best Editing
Dorota Fórmanowska for Don’t Come Too Early (Poland)
Ellie Gravitte and Kenny Neal Shults for Cyclone (USA)
George Blagden for L A R A (UK)
Hector Tapia Aguilar and Melanie De Reivich Silva for Loss (Mexico)
João Cutileiro Nunes for Outlines Of Love (UK)
Kai Lendzion for Residue (USA)
Paul Orama for Think (Freedom) (USA)
Yiqing Yu for White Horses, Silver Mine (USA)
Best Sound Design
Ajeng Canyarasmi for My Train Leaves Tomorrow at 7 O’Clock (USA)
George Blagden for L A R A (UK)
Isaac Ruth for The Feeding (USA)
João Cutileiro Nunes for Outlines Of Love (UK)
Jovo Script for Ego Wax (USA)
Nils-Petter Vaggelyr for My Demons (Sweden)
Rob Davidson for A Way Out (Denmark)
Rodrigo Vargas for With a Woman Like You (Peru)
Best Sound Editing
Daniel Datsko for Restricted (USA)
Eric Marks for Kick (USA)
Mike Bloemendal for Terraforma (Israel)
Noori Dua for Staccato (USA)
The Life and Death of Tom Thomson Who Was A Painter (Canada)
Best Sound Mixing
Joseph Cooke for The Fixer (USA)
Mike Bloemendal for Terraforma (Israel)
Noori Dua for Staccato (USA)
Best Visual FX
TBA
Best Costume Design
Catherine McQuade for When The Bloom Has Left The Rose (Australia)
Gianna Nepola for The Time Travelers’ Dilemma (USA)
Julia Paley for A Good Shake (USA)
King of Angels (USA)
Michelle Rose for Angel in Disguise (USA)
Best Makeup and Hairstyling
Anna Martin for Lost Girl (USA)
Carla Haley for Retail Therapy (UK)
Diego Lucas for Dreamer (USA)
Lindsey DeLaney and Julia Paley for Inn Communication (USA)
Lindsey DeLaney for A Good Shake (USA)
Lucy Vick for Waiting For Nicko (UK)
Michelle Rose for Angel in Disguise (USA)
Sherry Stinger and Nicole M. Vidro for King of Angels (USA)
Best Special Makeup
Carla Haley for Hidden Scars (UK)
Cat Calico for Audition Room 2 (USA)
Erica Coakley for Kick (USA)
Jessica Jones for Undying Love (USA)
Karina Christensen for A Way Out (Denmark)
Kristen Daniels for Game Night (USA)
Sofia Topete for Medusa (Mexico)
Tiffany Shepis-Tretta for Day 14 (USA)
Best Original Score
Chromosomes for The Fixer (USA)
Eugene Alexander Birman for The Body of Levi (USA)
Greg Eleftheriou for To Kill A Truth (Greece)
Jaimie Pangan for My Train Leaves Tomorrow at 7 O’Clock (USA)
Jogger Xiong and Bangdi Zhao for He/She (China)
Joshua Funk for Kick (USA)
Len Calvo for Lea’s Secret (Philippines)
Nathaniel Wolkstein for 52 – A Tale of Loneliness (USA)
Best Original Song
“7 Billion” 2020, by Mister C (UK)
“Angel in Disguise”, by Michele Rose (USA)
“Chase”, by Hannah Hsieh (Taiwan)
“In Too Deep”, by Pete Peterson, for The Protégé’ Project (USA)
“Love, Me”, by Sheilava, for Positive (USA)
“Unbecoming”, by Helen O’Shea and Marc Swersky (USA)
“Way Away”, by Anjie Concepcion, for When She Flies (USA)
“When The Bloom Has Left The Rose”, by CousteauX (Australia)
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