Production Nominations: April 2022

See also

SEMI-FINALISTS

NOMINATIONS FOR GENRE

NOMINATIONS FOR PERFORMANCE

Best Producer

Douglas Dubois Sebamala, Pamela Otali, and Solomon Ato for Keycard (Uganda)

Jasmine Tay and Kim Mariel for An Island Drifts (Singapore)

Megan Sipos for Big Dumb Animal (Canada)

Best Production Design

Ellen Smith and Gerald Adamson for Don’t Fall Asleep (USA)

Erik J. S. DeFries for Happy Loaf (USA)

Erin Lasorsa for Queer Fish in God’s Waiting Room (USA)

Hanning Yap for An Island Drifts (Singapore)

Man in a Maze (USA)

Best Original Screenplay

Alexis Rhee for When the Music… (USA)

Sergio Jimenez for Man in a Maze (USA)

Young Man Kang for Secretly Sweetly – Season 1 (South Korea)

Best Cinematography

Chedly Bouzouaia for Snake (Canada)

Jonathan Antoine for Dene Drum Songs in Gahnı̨hthah (Canada)

Shyan Tan for An Island Drifts (Singapore)

Best Editing

Angie Paola for As We Have Always Done (USA)

GB Young for L.A. Rises (USA)

Josh Morelli and Alex Stradling for No Exit (USA)

Schuyler Willson for Big Dumb Animal (Canada)

Tatsuya Mine and Katsuyuki Nakanishi for Argent Glass (Japan)

Best Sound Design

Cabba Jiaxuan Cai for An Island Drifts (Singapore)

Karthik Mohan for Gamin (USA)

Man in a Maze (USA)

Best Sound Editing

TBA

Best Sound Mixing

TBA

Best Special FX

TBA

Best Visual FX

TBA

Best Original Score

Arin Johan Aksberg-Kristensen for Limbo (Norway)

Ashna Pathan for Aghast! (USA)

Francesco Tresca for An Offer Refused (USA)

Gaurav Chatterji for Sound (Nadam) (India)

Misplaced Space for Blood Runs (USA)

Best Original Song

American Canyon by The Jenny Thing (USA)

Every Single Day by Charly Pie (UK)

Fire in the Pines by The Sun Line (USA)

The Alan Song by Joi Barua, Susan Mey Lee Lim, and Matthieu Eymard (Singapore)

What Can Break This Echo by Christos Danakas and George Breadman (Greece)

SEMI-FINALISTS

NOMINATIONS FOR GENRE

NOMINATIONS FOR PERFORMANCE

Indie Short Fest 2018-2022 © All Rights Reserved