See also:
Best Producer
Alex Rudegeair, Sugey Cruz, Jeremy Good, Tony Marion, and Richard Everts for Dirt (USA)
Chaya Greenberg for Mira (Ukraine)
Joe Lam for Fugitive Zero (USA)
Konstantinos Gourgiotis for With New Eyes (Greece)
Lisa Delhom, Jérémy Paquet, and Maybe February Films for Wednesday (Canada)
Lyndsey Stogdill and Clarissa Story Felts for Harbor Island (USA)
Manuel Alejandro Vargas, Mick Primmer, and Daniel Grisak for Tribe: The Untold Story of the Making of Vice Cops (USA)
Susan Wise Bauer, Chris Bauer, and Lauren Lukow for Before (USA)
Best Production Design
Before (USA)
Gaia (USA)
Happenstance – Episode Three (USA)
Intersect (USA)
Maggie (USA)
Stay Sane (USA)
Tribe: The Untold Story of the Making of Vice Cops (USA)
With New Eyes (Greece)
Best Original Screenplay
Andrew Jukes for Threshing Floor (USA)
Dan Tudor for White (Romania)
Lorenzo Fedon for Bittersweet (UK)
Micheal Eastman for Velvet Farewell (USA)
Miguel Garcia for The Caper (USA)
Orion Eshel and Luther Clayton for Man of the Harvest (USA)
Sheri Sussman for Nowhere To Go (USA)
Tiffany Rhodes for Harbor Island (USA)
Best Adapted Screenplay
Bill Liggins for I Need; I Want (USA)
Brittany Mae and Jessica Jaber for When Skies Are Grey (USA)
George Leontakianakos and Alexandra Dyranis-Maounis for With New Eyes (Greece)
Best Cinematography
Adriane Cheung for Lake on the Mountain (Taiwan)
Bobby Burns for Velvet Farewell (USA)
David Orian for Mira (Ukraine)
Errol Webber Jr. for Stay Sane (USA)
Jaime Aritzmendi for Alma (Mexico)
Joe Simon for The Volunteer (USA)
Larry McKee for Lillian (USA)
Michel Amathieu for Skitoz (France)
Best Editing
Bipin Paul Samuel for The Marooned (Australia)
Blake Braden for The Most Beautiful Song I’ve Heard (USA)
Brian Gee for Fugitive Zero (USA)
David di Donato for We to Me (USA)
Emile Vallée for The Gentle Art Of Violence (Canada)
Jordan Lavery for We Hear Running (Canada)
Ted Maniatakos for Nowhere To Go (USA)
Wyatt Cagle for Lillian (USA)
Best Sound Design
Blind (Denmark)
Intersect (USA)
Man of the Harvest (USA)
Nowhere To Go (USA)
The Gentle Art Of Violence (Canada)
The Marooned (Australia)
Thistle Creek (USA)
Tribe: The Untold Story of the Making of Vice Cops (USA)
Best Sound Editing
Art Is Angst (Sweden)
Bag Your Face (USA)
Before I Knew (USA)
Blackball (USA)
Loop (USA)
The Gentle Art Of Violence (Canada)
We to Me (USA)
With New Eyes (Greece)
Best Sound Mixing
Bar Crawl (USA)
Mark of the Rougarou (USA)
Pastiche (USA)
Stage Four (USA)
Best Special FX
TBA
Best Visual FX
Dimension Robbers (USA)
Popped Culture (USA)
The Magic Show (USA)
Two Best Buds and the Karate Beavers Agreement (Canada)
Best Costume Design
Annette Aispuro for Before (USA)
Louka Amalie for Stay Sane (USA)
Michelle Rose for Come Away With Me (USA)
Sarah Tonemah for Thistle Creek (USA)
Best Makeup and Hairstyling
Amanda Woods for Affective (USA)
Ambreen Khwaja for Thistle Creek (USA)
Hannah Reed for Stay Sane (USA)
Michelle Rose for Come Away With Me (USA)
Best Special Makeup
Dirt (USA)
Hangry Hangry (USA)
Mark of the Rougarou (USA)
Neutrals (USA)
Best Original Score
Blake Braden for The Most Beautiful Song I’ve Heard (USA)
Erick Schroder for Before (USA)
Ignacio Ramírez for Ay Antonia (Argentina)
Jamie Murgatroyd for The Lonely Road (Australia)
Marino Ossa for Gaia (USA)
Nicholas Gati for Lillian (USA)
Vlaicu Golcea for White (Romania)
Zorzes Katris for With New Eyes (Greece)
Best Original Song
“Ama’s Momento”, by Zong Chiang, for Ama’s Momento (USA)
“Come Away With Me”, by Michelle Rose, for Come Away With Me (USA)
“If I”, by Zong Chiang, for If I (Taiwan)
“Madness and Sadness”, by Itay Ashkenazi, for One (USA)
“Mira”, by Cecelia Margules, for Mira (Ukraine)
“Remember Me” by Mahlon Berv, for Remember Me (USA)
“Sane”, by Tea Wagner, for Stay Sane (USA)
“This Is What I Look Like Naked”, by Doug WIdick, for This Is What I Look Like Naked (USA)
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