See also
Best Producer
Jared Bailey, Eli McGowan, Ashley Mayberry, Emily McGowan, and Elizabeth Busby for August (USA)
Jean-Michel Tari for Dark Cell (France)
Jennifer A. Manner, Michael Potter, and Cliff Hackel for When Wire Was King: The Transformation of Telecommunications (USA)
Joel Harlow for Old Time Radio: Your Move (USA)
Larry L. Sheffield for Oppenheimer After Trinity (USA)





Best Production Design
Dark Cell (France)
Don’t Pop My Bubble (USA)
Mary Smit for August (USA)
Old Time Radio: Your Move (USA)
Walt’s Disenchanted Kingdom (USA)





Best Original Screenplay
Aquila Chase-Daniel for That’s Enough Now Thanks (USA)
Emily Jayne Adams for Something Wild (USA)
Keith Jardine for El Paso 11:55 (USA)
Mia Rovegno for Full Disclosure (USA)
Molly Vernon for Men in Cars (USA)





Best Cinematography
Benjamin Hess for Russick Smith – The Architecture of Vapor (USA)
Jason Weary for To Say Goodbye Is To Die A Little (USA)
Juergen Heinemann for El Paso 11:55 (USA)
Nick Azzaro for An Ideal of Liberty (USA)
Russ De Jong for The Return (Canada)





Best Editing
Conspiracy Cases: The Wasp Woman (USA)
Oliver Li for The Last Nora (USA)
Walt’s Disenchanted Kingdom (USA)



Best Sound Design
Simulacrum (USA)
The Assassin’s Apprentice 2: Silbadores of the Canary Islands (USA)
Walt’s Disenchanted Kingdom (USA)



Best Sound Editing
TBA
Best Special FX
TBA
Best Visual FX
TBA
Best Costume Design
TBA
Best Special Makeup
TBA
Best Original Score
Abigail Western for August (USA)
Gerrit Wunder for Old Time Radio: Your Move (USA)
Jeffrey Walton for Men in Cars (USA)
Kristopher Carter for Boreal Twilight (USA)
Rachel Jamieson for The Silent Smile (Mexico)





Best Original Song
Aguas by Jose Domingo, for Your Skin is the Galaxy (Spain)
Catch Me Before Midnight by Alice Underground, for The Assassin’s Apprentice 2: Silbadores of the Canary Islands (USA)
Hands on Me by Nio Renee (USA)
Interstellar by Emmanuelle June (Sweden)
Piece of Me by by Anthoni D’Wooley and Amanda Duran, for To Say Goodbye Is To Die A Little (USA)





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