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A couple in love moves into their first house, only to discover that their tastes are completely different in ways they hadn’t fully realized before. While the lady loves a clean, simple, and modernistic style with open spaces and minimal decoration, the man is drawn to intricate, detailed, and complex classical design filled with ornament and tradition. At first, they try to hide their discomfort about each other’s preferences, brushing it off as a minor difference. However, this quiet tension leads them to continuously redesign every room in the house, each subtly trying to steer it toward their own vision.
What begins as small changes—switching furniture, repainting walls, adding or removing decor—gradually turns into a cycle of constant revision. One would adjust a space during the day, only for the other to change it again later. This continues until the conflict can no longer remain hidden, and their polite restraint gives way to open frustration. They begin to openly despise each other’s choices, each seeing the other’s style as a disruption rather than a complement.
The tension escalates alongside the physical changes to the house itself, until eventually, the strain reaches a breaking point. The house quite literally splits in half, leaving one side entirely modernistic in its simplicity and the other fully classical in its complexity. Faced with this stark division, they are forced to confront not just their differences in taste, but what truly matters to them.
Eventually, they choose their relationship over their personal preferences. Instead of continuing to divide, they begin to rebuild together, finding a compromise that allows both styles to coexist. In the end, they create an eclectic blend of both aesthetics, transforming the house into a shared expression of their love.
Directed by Evfrosiniya Oskolkova and Samantha Arribas (USA)