Chair

The work uses potato starch, gelatin, paraffin and other comprehensive materials, and takes “potato skin man” as the symbol, emphasizing the absurd cycle between the consumption, manufacture, consumption and decay of life forms in human society. Life forms are used as food, furniture, fertilizer, as well as sperm and remains, and are repeatedly transformed in life and death, use and abandonment. The existence of human beings may be just a continuation of another material. The work tries to make the audience think: When human beings use everything as consumables, is it difficult to escape becoming a part of being used and replaced? This is the absurd and inevitable reincarnation of life.

Directed by Daniel