Semi-Finalists: February 2024

See also

NOMINATIONS FOR GENRE

NOMINATIONS FOR PERFORMANCE

NOMINATIONS FOR PRODUCTION

Above The Bridge by Martina Lisec (Austria)

Beautiful by Carson J. Dahl (USA)

Before Dawn by Ruben Rodas (USA)

Brushstrokes by Simon Finkel (USA)

Burton Rocks Calling by Burton Rocks (USA)

Cassandra Venice – The Red by Hugo Teugels (Belgium)

Catching These Umbrellas! by Aviva Siegel (USA)

Checked Out by Amy Santos and Sara Siggard (USA)

Dade Cook by Henry G Burgos (USA)

Dear by Ruei-Ci Jhou (Taiwan)

Death Wishes by Richard Poche (USA)

El Nuevo Perro by Roy Boucher (USA)

Fallout by Jeff Kimball (USA)

Film 101 by Richard Jerrier (USA)

Finding Love on Dia De Los Muertos by Doc Anthony Bravo (USA)

Fisherman’s Song by Frank Joseph (USA)

Fools of Crisis by Cedric Low (Malaysia)

God’s Plan by William Preising (USA)

GTA by Isaiah Cain (USA)

It’ll Pass by Scott Lee (USA)

Laiba by Kaveh Taherian (USA)

Late for Work by Carlos A Serrano (USA)

Let’s Roast by Petter Stang (Norway)

Not Alone by Tommy Duncan (USA)

Please Don’t Lick The Psychedelic Toad by Matthew Pelton (USA)

Roast of Aunt Kathy by Amy Santos (USA)

Room 8 by Scott Mabbutt (USA)

Take This Faux Turkey and Shove It! by Mia Rivera (USA)

Teddy Cuddles by Christopher Eric Outridge (USA)

The Enigmatic Power Of A Bitch by Sharon Cleveland Blount (USA)

The Future of Fashion for All: Creating Safe Spaces by Mei Ling Marzonie (USA)

The Liberry by Max Sterling (USA)

The Place Where the Land Meets the Sea by Evelyn Haixuan Cao (USA)

The Projectionist: A Collector’s Journey by John Cornelissen (USA)

The Stage In Heart by Xiang Cao (USA)

This Last Night by Tyler Townsend (USA)

Twitter Files by Ellie Mae Smith (USA)

What Kind of Day by Clevius Arnold Curry (USA)

Upstream by Yintao Gong (USA)

When I Go by Robert Jarzen (USA)

Who’s More Likely To? by Mark Burnham and Sean Renwick (USA)

Young Oak Tree by Aiden Jae Choi (USA)

Indie Short Fest 2018-2024 © All Rights Reserved