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Best Producer
Brett Willis, Anthony Saldana, Adolfo Espinosa, and Sarah Curry for When The Clocks Stop (USA)
Feyannie Hung for Our Tea (Taiwan)
Luca Pizzoleo and Bridget Sonobe for O.C.D. (USA)
Best Production Design
Clara Sobreiro for The Light of Things (Brazil)
Hungyu Kuo and Yijia Sun for Turn (USA)
Nicole Marinescu for The Crushed Tea (USA)
Best Original Screenplay
Brett Willis for When The Clocks Stop (USA)
Conor Patrick Walsh for O.C.D. (USA)
Hungyu Kuo for Turn (USA)
Max Hödl for Isle Of The Dead (Austria)
Mia Holly Kim for How Soon Is Now (USA)
Best Cinematography
Gian Carlo Stigliano for Alright (USA)
Jackie Hung for Our Tea (Taiwan)
Louis English for Thanks For Eating Me (UK)
Maximilian Curnow for Out of the Fire (UK)
Tim Millard for Peace Wilderness Man (Australia)
Best Editing
Ancress (USA)
Haohan Ding for Jo (USA)
Jack Rogers for The Champ (USA)
Lee Vander Boegh for Return to Sender (USA)
Luca Pizzoleo for O.C.D. (USA)
Best Sound Design
TBA
Best Sound Editing
TBA
Best Costume Design
Isabel Miksic for Clock Shop (USA)
Maria Noyabrova for The Last Wish (Ukraine)
The Mime and the Clown (USA)
Best Special Makeup
Cacá Grandinetti for The Light of Things (Brazil)
Holly Mazmanian, Lo Babcock-Webb, and Aven Gonzales for LA After Midnight (USA)
The Mime and the Clown (USA)
Best Original Score
Chia-Chi Hsu for 250 Sqft (USA)
Linas Lang for New West (USA)
Maximilian Curnow for Out of the Fire (UK)
Rodrigo Boechat for The Light of Things (Brazil)
Silvio Buchmeier for Abby’s Way (USA)
Best Original Song
Accept Me by Susanne Palm and Douglas C Rapier, for My Bonus Daughter (Taiwan)
Danger by Maximilian Curnow, for Out of the Fire (UK)
Half Alive by Kidarah, for LA After Midnight (USA)
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