LOS ANGELES INTERNATIONAL SHORT FILM FESTIVAL
Blanche and Kaley are the millennial female hosts tapped to make the MAGA brand hip for a right-wing media group’s new shopping show, but the show ultimately attracts a basket of deplorables instead.
Directed by Mervyn Cole (USA)
A Mexican-American teenager struggles with body image and self-love.
Directed by Emilio Nieto (USA)
Animated music video for the song “Change our Tune” by The Lark and the Loon.
Directed by Jeff Rolfzen and Rocky Steen-Rolfzen (USA)
Short script written by Debbi Mack (USA)
Irish bartender Alan must decide if he wants to be right or happy and reconnect with his estranged mother after she kicked him out of their family home for being gay.
Directed by Chris Marcantel (USA)
A young woman catches her boyfriend cheating on her and attempts to put him in the same situation he put her in.
Directed by Stephen Crooms (USA)
An Animation short film based on legendary Skull island. Short film is based on a weird game of Apes living in the Island by snatching Dinosaur egg. Action sequences are designed for fun of all ages.
Directed by Martin Bastian (Canada)
An indie short story set to the music of WhiteWater Ramble spanning the tumultuous relationship of a touring musician and his wife who remains at home while he tours. It touches upon domestic and gun violence issues in our society today.
Directed by Tomas Herrera (USA)
Tension mounts between two rival “biker” gangs when they butt helmets at a local watering hole. Directed by Anthony Echo
“Africa Amini Alama – Africa, I Believe in You”
a film-essay
A film about a special project, founded by two women – two Austrian medical doctors. They demonstrate to us how a charitable strategy and practical thinking can balance poverty in Africa and western prosperity. Christine Wallner had set herself the goal of establishing humane structures in Tanzania on her own private initiative – among other things by providing medical care and free local schooling. As a result, the demand for skilled personnel has led to a considerable number of valuable jobs for the people in the region.
Christine started her brilliant work around 2008. Three years later her daughter Cornelia followed. The two perfectly complement each other and together, have achieved miracles. They organize the funding of an exemplary infrastructure that is set in place to sustain itself in years to come.
In the form of sensitive atmospheric images and realistic close-ups, the film conveys the meaning of successful economic networking in a steppe landscape near the equator in Africa. The special mindset behind this organization becomes comprehensible and contagious: people want to get involved in the project.
The sound of the musician Norbert Math (“alien productions”), composed especially for this film, supports the complex pictorial footage, reinforces the images and brings them into a comprehensible form.
Directed by Magdalena Frey (Austria)